This just in! Barry Allen, the silver age Flash is back in The Flash#1, written by Geoff Johns and drawn by Francis Manapul. The first issue of much-anticipated relaunch of The Flash is finally out. But does it live up to the hype?
Of course, that isn’t the only mistreatment of a legacy character in the lead up to this series. A few years ago in Brad Meltzer’s miniseries event Identity Crisis, the original Captain Boomerang, Digger Harkness, one of the Rogues (the Flash’s main group of villains) was killed, and his son Owen Mercer was introduced. Owen was set up as the new Captain Boomerang and given ties to the Flash family, in the form of a convoluted blood relation (which involved quite a bit of time travel). It really seemed like the character was going somewhere. Alas, it was not to last. In the recent Blackest Night: Flash miniseries, part of a company-wide crossover written by Geoff Johns about legions of undead super-people rising from the grave, Captain Boomerang original flavor was among the army of super-zombies. He managed to convince Owen that he was merely sick, and that Owen could cure him. This, of course, was a lie. Digger’s corpse was just being manipulated by a malevolent alien force, with a goal of extinguishing the white light of life. The zombie Boomerang tricked his son into pushing various people into a large pit with him, where they were promptly killed. Owen was led to believe that if he fed enough people to his father, he’d be miraculously returned to life. Like I said before, this was a lie. In what can only be described as a total character assassination, he even sacrificed women and children, in hopes of his father’s resurrection. When the Rogues found out about this, they were less than pleased. You see, they have a strict “No women, no children” rule when it comes to murder. So their leader, Captain Cold (don’t worry, they aren’t ALL captains) retaliated by pushing Owen into the pit to be disemboweled and converted into a zombie by his undead dad. And to top it off, Johns actually ended up bringing the original Captain Boomerang back to life in Blackest Night’s finale, mirroring the shafting of Wally West when Barry returned. So yeah, I’d say I had some reason to be skeptical.
Barry is late for his first day back at work! After being chewed out by his boss, Captain Frye, we (and Barry himself) are introduced to his co-workers at the crime lab. Across town, a crackling blue portal opens up in the middle of the street, and we see a silhouetted man saying that he’s sorry for something. Then, as the portal dissipates, all that is left is what appears to be the corpse of Evan McCulloch, the Mirror Master, and member of the Rogues. Of course, crime scene investigator and forensic scientist Barry Allen is the first on the scene. Soon enough, the plot begins to thicken. Barry discovers that the man in the orange and green costume is not, in fact McCulloch, but another, unidentified man. Hearing one of the officers on the scene talking about another mysterious light show starting up in the sky across town, Barry immediately suits up and speeds off. When he arrives at the source of the light, Barry is shocked to see a group of futuristic looking men in costumes resembling those of the Rogues. Their leader introduces himself as Commander Cold, and proclaims that they’ve come from the 25th century to arrest the Flash for the murder of Mirror Monarch. Awesome. Future Rogues. This has me so pumped for the next issue.
Wow. So despite all my skepticism going into this, it ended up being the most entertaining comic I picked up this week. Johns sent us headfirst into the beginning of an enthralling, fast paced story, jam-packed with awesome moments. One of the things I’m most excited for in future issues is the supporting cast. Johns did an amazing job of incorporating and fleshing out the large cast of characters in his last run on The Flash, and I really hope he can match that in this series. Of course, writing is only half the job when it comes to comics. Francis Manapul did both pencils and inks on this book, and all his characters and scenes have an unmatched energetic, kinetic feel to them. The art is made even better by the slightly-but-not-quite faded, washed look that colorist Brian Buccellato brings to the comic. Stunning job, all around. I’ll give this great issue Five out of Five flying steering wheels.



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